Actor Michael Sheen has launched a new national theatre company for Wales, which he says promises to herald a ‘new dawn’ for Welsh creatives and content
The Labour government will be missing a trick if it does not understand that the arts are ready and willing to make themselves useful and simultaneously bring joy and a return on investment, says Lyn Gardner
There’s a positive buzz around theatre in the north, but beneath the surface the region’s diversity of audience, and of global-majority creativity, is at risk of collapse
This week’s announcement that Bristol Old Vic Theatre School will scrap its undergraduate courses is both shocking and, sadly, unsurprising, says Alistair Smith
Having played parts from Prospero to Stalin, Hamlet and now the poet AE Housman, Simon Russell Beale is convinced he has one of the best jobs in the world. Why? Every role offers a new area for intellectual investigation, he says
“We’ve had three new musicals in the West End this year – we’ve only just begun”
After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today
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